Monday, 2 June 2014
June Workshop Abstracts
Grace Warne
The Sustainable Industrial Landscape
In a world dominated by headlines on
climate change, population expansion, economic issues and social dilemmas, it
seems hardly surprising that Landscape Architects are now often being called
upon to design landscapes that support sustainability rather than just provide
visual appeal. Sustainable design is increasingly pushed as a planning tool in
urban areas to solve these issues at a local scale. Industrial sites with their association with
pollution and degradation should be a significant target of this movement
towards sustainable design. Industrial sustainability needs to focus on not
only environmental issues but on social and economic sustainability as well, to
ensure they survive and thrive. A new shift in the approach to sustainable
landscape design within an industrial context could generate a more holistic
sustainability.
This has resulted in the question “How can
landscape architects advance sustainability within industry through the use of
social interaction and behavior?”
Human
behavior is recognized as an important element of sustainability, as people
often contribute regularly to unsustainable practices. Changing behavior
through design, psychological applications, and organizational manipulation can
alter how people view sustainability and how they behave in their environments.
Positive social interactions can improve personal well-being, environmental
awareness and care, and aesthetic perception; which can be utilised to increase
sustainable behavior and attitude. This can be used to advance sustainability
within an industrial context.
A
design methodology has been developed around the concept that positive social
interactions can improve sustainability by altering people’s behavior and
attitude. Through the design of an industrial park using a social framework,
the project tests whether the social methodology works successfully to improve
the site’s level of sustainability through an increase in the quantity and
quality of social interactions.
Harbourside Business Park was chosen to test
the design methodology. This site is situated within the industrial precinct of
Rosebank Peninsula in Auckland and is currently available for landscape
development. It is primarily medium to light industry and is not visible from
the main thoroughfares. The site has a wide range of opportunities and
limitations but struggles with tenancy and landscape management issues. A key
issue is the lack of connectivity for people both physically and visually and
this presents an opportunity to test how social interaction can be improved and
increased to improve sustainable outcomes.
The proposed Harbourside Business Park
design aims to generate social interaction by encouraging visual and physical
connections and providing opportunities for engagement between both people and
people and their environment. Five main design elements were created to satisfy
the aim of social interaction as a means to a more sustainable industrial park.
Terracing of steep inaccessible slopes
opens them up visually and physically allowing access through the area and
provides opportunities for seating, walking, small groups and similar social
activities. They also provide a view point across the site and out over the
adjacent estuary and act to absorb stormwater and provide pedestrian access
between buildings. Social spaces have been identified as crucial to social
interaction and are in a range of sizes from smaller and more intimate to larger
community spaces. This will target a wider audience of users while allowing
them to use the spaces personally or as a group. Making these appealing and
comfortable is crucial to their use as is making them multi-functional.
A pedestrian network prioritises people and
allows direct contact between site features, natural environment and buildings
within the site. It encourages walking/cycling and reduces the focus on vehicle
domination of the site. Use of this network can be employed to link people to
their environment and to each other.
Sight lines between building entrance ways,
large windows/balconies, and important aspects of the wider environment are
identified and marked out on the ground in such a way as to draw the eye to
these locations or elements. Having your eyes drawn towards a specific location
can increase personal and environmental awareness as well as exposing site
initiatives that encourage social interaction and more sustainable behavior.
The proposed design elements aim to improve
and increase the level of social interaction on the site and generate awareness
of others and the environment as a means to increase the level of sustainable
behavior.
Raewyn Davie-Martin
Mountain to Sea - Water for 21st Century
Resilient Cities
How can potable and non-potable
decentralized water networks re-image cities?
Can the development of parks, with a new
synergistic neighborhood buddy water network, be a successful densification
model for the urban city?
Globally large water infrastructure
projects are being redesigned to use smaller sized grey infrastructure by using
operationalized landscapes in conjunction (Department of Environmental
Protection 2006). An example of
traditional linear infrastructure with productive natural landscapes with a
connected urban water network is Bishon Park, Singapore by Landscape Architect
Herbert Dreiseitl (Dreiseitl 2012). The Singapore Island water network design
is regulated at government policy level (Dreiseitl 2012). Likewise, precedents
from New York City High Performance infrastructure), shows change from the
traditional linear water system to alternative holistic infrastructure. (Brown
Caputo Carnahan Nielsen 2005). This research will speculate on resilient city
planning and city strategies for densification for a distributed city network,
which considers water, cluster neighborhoods and eco cities use of recycled
wastewater for city resource management (Ed Haas 2012).
The research will investigate precedents
from water infrastructure projects for potable and non-potable water network
systems for example Singapore. This research will analyze the precedents from
Singapore's public utility board reclaimed infrastructure (PUB 2013) and
compare this to the Auckland's water infrastructure projects to explore the
options for separate potable and non-potable water network systems. The
research will consider the use of reclaimed water infrastructure and new
technologies. This exploration, will define how hybrid green and blue
infrastructure can be designed for future resilient industrial and residential
community needs to revue Auckland's current infrastructure (DEP 2006).
Water resources can be divided into a
source for potable consumption and a source for non-potable consumption. The
reclaimed water from the combined waste and storm water drainage could be used
for the increasing city water needs. This secondary water can be recycled for
reuse within the neighborhood, for example industrial or agricultural uses for
example hydroponic gardening. Developing technologies will redefine the water
infrastructure networks to encompass new and old infrastructure practices to
redefine the linear infrastructure of the city. The neighborhood water network
is the focus and this is where the main change to the developing city
densification model is, in this research.
Increasing city density will change
ecological functions of land and water. For example the ground water levels and
aquifer recharge of the natural water systems will become less efficient.
Caused by the increased non-permeable land cover created from the increased
built environment. Water runoff from the changing city fabric, will change the
natural hydrologic flow patterns. Less water infiltration will cause soils to
become less productive.
This research will identify the changing
needs for the future city for optimal land performance, when higher population
densification affects the city environment for example urban heat, smog, less
ground water recharge, city and coastal salt-water infiltration damage to
coastal arable land (Novotny 2010).
The research will explore strategies to use
reclaimed water for ecological and community consumption. The project will
focus on the uses of reclaimed water from waste and grey water, to analyze the
best practice outcomes for ecological functions. This exploration will consider
a best practice approach opposed to a most practicable approach for the water
network infrastructure management currently used by Auckland. The provisional
Auckland City Unitary Plan indicates source control of pollution in water
networks and this is where the exploratory research is aimed.
This research intends to develop a
densification plan with holistic, resilient, blue and green city infrastructure
around parks. The research project is aimed to reimage the densification of the
21st Century Auckland city. The incentives for the proposed park - rezoned
neighborhood, are to create higher population zones and community water
recycling for wastewater credits (similar to private power network incentives
for energy generation).
The proposed Auckland city central
interceptor project is the motivation. This pipeline is 13 kilometers long and
is a combined storm/wastewater infrastructure tunnel designed by AECOM for
Watercare to be built in 2017 (Watercare 2013). The tunnel spans the catchments
from Western Springs to Manakau Harbor. The proposed site for this pilot case
study, the Mt Eden and Mt Albert catchment is a part of the of the total area.
This research study is a critique of the whole central interceptor water
management system, breaking it into component catchments and analyzing one of
them. The object of this study is to reduce the wastewater flows into the
tunnel infrastructure and reduce the size of the proposed central interceptor
project.
The site of Mt Eden – Mt Albert catchment
is the center for the study. The proposed research, will investigate uses for
reclaimed water reuse and for a retrofitted two pipe water network system using
potable and non-potable water for the catchment of Mt Albert/ Mt Eden.
The smaller scale interventions will show
the - neighborhood densification and recycled water uses for the ecological and
urban neighborhood - Chamberlain Park and the neighboring rezoned neighborhood
densification master plan. The final design plan and strategic sections to be
out lined at a later date. The proposed site is a pilot site study, to show the
proposed interventions and the retrofit of the design into the existing city
infrastructure. Analysis of the catchments will be included in the final
Investigation and report for the potable and non-potable system infrastructure
upgrade for Mt Albert / Mt Eden with researched strategies for the new
technologies for recycled water use, plus seismic and public health standard
guidelines.
Helen Frances
At the confluence: heritage, rivers and
walking.
How can a river-side walkway be designed to
meet the needs of multiple stakeholders, in a site that is rich in heritage? This
design project draws on three frames of research. The primary focus is the practice of
landscape architecture in relation to heritage, using the design of a walkway
in a heritage-rich site as an applied case study. Heritage is a cultural construct, a version
of the past created by people to serve their needs in the present. It is intimately related to place, and to
people’s sense of identity and belonging.
The research question puts emphasis on the needs of multiple
stakeholders. This emphasis reflects the
contestable and potentially complex nature of heritage. What is significant and valued by one group
of people may not be so by others, so within this set of relationships between
landscape, heritage, identity and place is a political dimension. A survey of local residents has revealed that
the literal facts of the community’s heritage story has little meaning for most
people, but that the story is valued for the sense of community that it
generates. The survey also revealed some
resistance to the hegemony of the heritage story, and a desire to hear more
diverse and suppressed narratives.
Secondly, site analysis has examined the
unique qualities of the rivers in the design site, and their implications for
design, whilst locating them in the larger contexts of the spatial-temporal
dynamics of rivers, the place of rivers in culture, and the meaning of these
rivers to the local community. Research
so far has revealed that rivers and heritage converge in the way in which they
both define and reflect a sense of place, and people’s sense of identification
with place. They both engage with, and
generate, cultural and spiritual forces of memories, meanings and myths.
Third, the research explores walking in
culture, art, and landscape. Walking as
a means of inhabiting the land and “embedding” landscape as part of us
converges with heritage and the rivers in the making of place and
identity. The spatial unfolding and the
temporal and sensual qualities of walking, and the difference between
meandering and purposeful walking also inform design.
Out of the complex matrix of heritage,
rivers, walking and landscape, this project aims to generate a designed walkway
for a particular community that responds to the ways in which people forge
their sense of place and belonging.
Eloise Veber
Meeting at the edge. How would we design Te
Papa today?
Te Papa Tongarewa has always faced
controversy over the lack of relationship to its historically/culturally
significant waterfront site, the ocean, and the surrounding urban environment.
Not only does this lack of relationship affect the public’s experience of the
Wellington waterfront and the public space surrounding the museum, but it in
turn affects the user’s sense of journey and orientation through the museum,
the spatial orientation of its interior spaces, and any sense of grounding or
belonging for visitors to the building. New Zealanders have an undeniable
attraction to the coast. As a nation bordering only oceans, natural activity at
the edge has captured our attention and imagination since early settlement. We
are outward looking, obsessed by our edges. They provide us our nutritional,
poetic and spiritual livelihood. Today, with most of our cities on the coast,
we radiate our cityscapes from the edge. The seaside promenade becomes the
urban climax, and we flock to it, instead of the town square. Waitangi and
Bastion Point, places of national contemplation for concepts of land ownership,
settlement and belonging, are both on coastal outcrops, scenic lookouts once
chosen for good views of an enemy, now raise us high enough for us to admire
the power and breadth of the ocean.
These are both sites of self-representation
and cultural and political exchange. This project will look at a new design for
the Museum of New Zealand. Reading the national museum as a place of
self-representation and inter-cultural exchange, the project will explore our
obsession with the coast and the foreshore as a place of gathering for New
Zealanders, to inform a new design for the museum.
Kelly Henderson
The Body is a Temple, The Suburb is a Crack
House
How can challenging the performative
potential of Suburbia affect social interaction and the health and wellbeing of
residents?
Ideas about health have long influenced the
design of cities, communities and buildings. However where the health problems
were once infectious disease –typhus, cholera, and TB.
From the original woven whare, our
postcolonial housing became solid, strong and impermeable, in order to prevent
the spread of infectious disease and greater dictate social conduct. ‘The house
is conceived as a strong container or property, a place for the maintenance of
the father’s law. It needs solid walls, strong doors, and latches to guard
against inadmissible openings. The permeable structure of the woven home, with
openings omnipresent, had the potential to lead to dissipation, the loss of
life, and the loss of property and name.’
There is a malignant undergrowth in
suburban NZ and it originates in the way we place ourselves in the world, in
relation to other people. We are an island nation with a suitable post-colonial
identity crisis. We imported the concept of suburbia, and coupled with our
island mentality and nationalist sentiment we are quick to isolate and
self-protect. Our fear of the Other generates a quiet racism and subtle but
significant class divisions. Our suburbs
are not meeting our capacity for social engagement, support, connectivity.
Our house contains every threshold between
the world and ourselves: doorways within and throughout, dictating social
interaction beyond. What happens if we then begin to conceptualise suburbia not
as a collection of private dwellings that serve to guard against inadmissible
openings and prevent the loss of life –sentiments that are largely based in
fear, in the unknown and of the other- but as a blueprint of possible social
connection and landmarks of collective identity? On the premise that the
spatiality of our suburbs influences our social interaction we can begin to
challenge the performativity of Ranui: Ranui is a diverse, divided and deprived
community of about 10 000 people -comprised of a large number of Maori and
Pacific Islanders, with an average income of $22,000 per annum. While
relatively benign even by New Zealand standards, the suburb has received some
attention for gang related violence and homicide, and is suffering from poor
self-image.
Mathew Brown
A way of looking: The architecture of
Rudolph Schindler, through an alternate lens.
Rudolph Schindler, at the birth of
Modernism, explored new technologies and ways of building to one end: “the
creation of space forms”. Whilst these explorations resulted in a small
following and spatially complex houses, he failed to become as influential as
many of his contemporaries. By designing buildings that required occupation to
be fully understood, Schindler concentrated his efforts on aspects of
architecture that weren’t necessarily apparent through the media. This decision
contributed to the failure of his ideas to be more widely adopted and
demonstrates the importance of the media within modern practice.
This thesis explores the nature of
architectural representations by carrying out an experiment using comics to
represent a building that incorporates the spatial composition found in
Schindler’s work. It proposes a way of emphasising those aspects of
architecture that Schindler believed were important and therefore looks to
encourage an understanding, development and perhaps a demand for his approach
to building design.
Included within this thesis is a brief
review of traditional architectural representations and discussions around the
hypothesis that there is a connection between the structure of those
conventions and the message they carry. It concludes that careful choice of
representation method is required to demonstrate the strengths of different
types of architecture. An architect who understands this has an advantage in
how they transmit their message in a way that is clear, transparent and
understood.
June Critics
Dr Charlotte Šunde
Dr
Charlotte Šunde is Research Development Manager, in the Transforming Cities:
Innovations for Sustainable Futures, University of Auckland. Charlotte's
academic education at Massey University was interdisciplinary in nature,
focusing on planning, environmental science, philosophical anthropology, and
urban studies. This created the possibility of forging new lines of enquiry
across disciplines and to emerging cross-disciplinary fields such as ecosystem
science, ecological economics, and intercultural studies. Her PhD research and
subsequent publications are on cross-cultural understanding in relation to
environment and development issues. Charlotte’s research spans several areas
within a general field of environmental studies, including planning and
theoretical ecology. She has a strong commitment to cross-cultural studies and
the role of performing arts and science collaborations in research on urban
sustainability. Charlotte is active in international research networks, which
have created opportunities to work overseas on large-scale collaborative
research projects (University of Versailles, France, 2007-2008). She has been
involved in two projects with others from eight disciplines and is co-Principal
Investigator of the arts-science-education collaboration, Water in the
Sustainable City. The project produced a high-profile public art performance
and educational science event about water sustainability in Auckland.
Neil Donnelly
Neil Donnelly is Manager of Strategic Planning,
Todd Property Group Limited. Todd Property is responsible for designing and
delivering some of New Zealand’s largest land development projects. These
include:
The 100 hectare new suburb of Stonefields
in Auckland;
The 160 hectare Long Bay development on
Auckland’s North Shore;
The Ormiston Town Centre to support the
emerging community at Flat Bush in Auckland’s south- east;
Operation and development of the Kapiti
Coast Airport and associated 80 hectares of business park land;
Completing the Pegasus town development
North of Christchurch and
Redevelopment of the disused hospital in
Napier.
Clare Chapman
Clare Chapman is the editor of Progressive
Building magazine. She has recently returned to Auckland after spending seven
years working as a journalist and editor around Australia and New Zealand.
Clare has worked in editorial roles for APN, Mediaworks (TV3), and Fairfax.
Most recently Clare has been the editor of a New Zealand health magazine, and
worked in the Australian education sector on a national media campaign. Clare
has also specialized in mining and resources, covering the sector for an
Australian daily newspaper.
Richard Harris
Richard has specialised in leading teams in
the design and delivery of masterplans and large projects that have a bias
towards significant public use. He has also worked on numerous successful joint
venture projects. He has led the architectural team on AUT University’s campus
redevelopment and masterplanning over the last two decades including their
recently completed Sir Paul Reeves. He was the Principal in Charge of the
University of Auckland’s School of Medical and Health Sciences Grafton Campus
Redevelopment and has had a similar role in the development of Sylvia Park and
the Auckland City Hospital. He is the principal responsible for the Jasmax
component of the current BVN / Jasmax projects including the ASB North Wharf
project. His projects have won numerous architectural and property industry
awards.
Chairman, Jasmax Limited, 2000 - present
(board member since 1989)
Deputy Chairman, Construction Strategy
Group, 2013 – present (member since 2010)
Board Member, Committee for Auckland, 2010
– present
Chairman, Construction Information Limited,
2008 – 2011
President, New Zealand Institute of
Architects, 2008 -2010 (NZIA Council member 2007 – 2011)
Chairman, Government Urban Taskforce, 2008
– 2009
Chairman, Architects Education and
Registration Board (now NZRAB), 2001 – 2003 (Board
Garth Falconer
Garth graduated in landscape architecture
from Lincoln University, completed a
Masters in urban design from Oxford Brookes (UK) and is fellow of the
NZILA. He is founder and director of
Reset Urban Design, a specialised design practise focused on taking strategic
projects into a realised form. Previously Garth was a founder and director of
Isthmus Group from 1988 to 2008. Garth is foremost a designer and has over 24
years’ experience leading design teams on large scale urban projects around New
Zealand, Garth has been at the
forefront of the development of urban public realm projects such as
waterfronts, river edges, parks, streets, plazas and central city environments. He believes
landscape architecture has a critical responsibility in improving the quality
and sustainability of life for our people and the wider ecology.
Garth has received national and
international recognition. He has won
numerous national design awards and
lectures at the landscape architecture schools at Lincoln, Victoria and Unitec
. Garth has presented at conferences and universities in Australia, USA,UK,
Greece and Italy.
Richard Mann
Richard is of Tongan, Ngāti Kahungunu and
Ngāi Tūhoe descent. He is a principal
policy analyst for open space with Auckland Council, having previously been in
a role of senior landscape architect with Auckland City. Richard’s area of responsibility covers the
west and north-west of Auckland and he is currently working on development
projects at Hobsonville, New Lynn, Oratia and Waikumete Cemetery. Prior to his role in local government,
Richard worked in a private practise based in New Plymouth, primarily on
coastal foreshore projects. Richard also
lectures onto the BLA programme at Unitec, coordinating the level 6 ‘Landscape
of Aotearoa’ paper. Richard undertakes
private work in his capacity as principal of mann landscape architecture ltd,
and has a particular interest in notions of indigeneity and a developing
landscape aesthetic borne out of this place, Aotearoa New Zealand.
Bill McKay
Bill McKay is a Senior Lecturer and
Associate Head (Student Relations) in the School of Architecture and Planning.
He has taught in all subject areas and currently supervises postgraduate
theses, coordinates the teaching of architectural technology and some design
courses, and teaches the Professional Studies courses.
Bill writes extensively on New Zealand
architecture in books, journals and magazines and has received a New Zealand
Institute of Architects President's Award, as well as being named Best
Architectural Writer by Urbis magazine. He is a regular critic of architecture
and commentator on urban design issues as well as being very involved in local
Auckland issues.
Bill’s research is in the area of New
Zealand historical and contemporary architecture, with a special interest in
Maori architecture. His current funded research projects range from state
houses to post-war marae development and
war memorial halls (as part of his PhD). He continues to practice both
architecture and public sculpture with current projects in Auckland and the
Chatham Islands. He is also working on Cloudland, a history of New Zealand
architecture that focuses on the buildings most of us live and work in, and is
editing Awkward City, a collection of essays about the history and development
of Auckland.
Jeanette Budgett
Jeanette Budgett is a Senior Lecturer on the
Department of Architecture, FCIB Unitec. Jeanette has worked in architectural
practice since graduation from the University of Auckland in 1987. Concurrently
she taught architectural design and was made a Design Fellow at Auckland
University of Auckland in 2000. She is currently a Senior Lecturer in the
Department of Architecture, UNITEC Institute of Technology, where she teaches
in design studio and construction technology. Her Masters of Architecture
(2005) investigated the history and conservation of coral mission-period
architecture of the Cook Islands. A book chapter on this topic in Cook Islands
Art and Architecture (Rarotonga University of the South Pacific, 2013) is
pending. The recently published e-book The Unstable City (Unitec Press, 2013)
discusses Auckland’s old shop buildings in the aftermath of the Christchurch
earthquakes. Other research interests include contemporary digital fabrication
technique and the architectural interior. Her most recent architectural project
has just been published in Big House Small House (2012).
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